Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

July 7, 2020

Doctor Who Rewatch: S7E6 “The Bells of Saint John”

The reintroduction of Clara in “The Snowmen” proves to be a more than adequate springboard for “The Bells of Saint John,” the midseason opener that is just a little confused about whether it wants to be a clever social commentary or a straightforward action/mystery.

Allow me to explain.

After an unsettling pre-credits sequence, “The Bells of Saint John” begins with Clara Oswald (Jenna Coleman) trying to access the internet in a family friends’ house. Not understanding how Wi-fi works is a good gimmick for about thirty seconds (thank goodness they didn’t try to make her lack of technical expertise a major part of Clara’s character), but luckily, the Doctor (Matt Smith) soon arrives, ready to save the day.

June 12, 2020

“The Wolf of Wall Street” Review: The Diminishing Stock of Morals

by Danial Cousins

What a smug bastard.
The Wolf of Wall Street is an excellent lesson on the downfalls of excess. Based on a true story, the film features Jordan Belfort (Leonardo DiCaprio) starts a brokerage under the name Stratton Oakmont, selling low cost penny stocks to the rich for way more than they are worth for a 50% commission. The director (Martin Scorsese), and writers Terence Winter (of the screenplay) and Jordan Belfort (of the book the film is based on), show the audience the absurd nature of stockbrokers in this firm, and the ludicrous and unnecessary amount of money each person makes.

April 6, 2020

“Her” Review: Glowing With Moments of Warmth and Frost

by Danial Cousins
This review contains (minor) spoilers.

Her has a simple, yet unique premise. Theodore (Joaquin Phoenix), a paid writer of “Beautiful Letters” on a website, falls in love with an Artificial Intelligence, or OS (Operating System, as they are referred to in the film) named Samantha (Scarlett Johansson). Writer/director Spike Jonze immediately creates a beautiful yet seemingly empty world in the opening moments. Most every shot in the film is filled with color and light, which either juxtaposes or brings vibrancy to the emotions of Theodore. The combination of visuals, music, and actors’ performances are enrapturing throughout the film.