Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts

November 1, 2021

Expanding the Universe: October 2021 (Part One)

It’s spooky season, and schoolwork is beginning to ramp up! That doesn’t stop my watching habits, though -- not while there’s entertainment to be had! Featuring horror and otherwise, here is what I watched in October 2021.

LEGO Star Wars: Terrifying Tales (2021)
Viewed on: October 2

It seems Disney+ has begun a LEGO Star Wars holiday special tradition, following up 2020’s Life Day special. In a similar vein, Terrifying Tales follows an anthology format anchored by a framing device that pays off at the end. Being non-canon to the overall Star Wars universe gives this forty-five minute special license to basically do whatever the hell it wants with the characters at its disposal, and it definitely goes for it. To those who wanted a General Grievous vs. Darth Maul mashup fight, your prayers have been answered. People who wondered what might have happened if Luke joined the Empire from an early age will also be satisfied by one of the stories presented here. Terrifying Tales is fun, exactly as it should be -- and it caters to all ages, not just the children it was very much made for. Keep ’em coming, Disney... we’ll keep watching. [Grade: A]


On My Block Season Four (2021)
Viewed from: October 4-6

The fourth and final season of On My Block was a long time coming, and I’m glad I got into this show when I did. Our primary group of friends (aka the Core Four) keep finding themselves in dangerous trouble, even two years after Season 3 concluded. Ruby, Jamal, Cesar and Monse are living very different lives since we’ve last seen them, and it’s the perfect way to differentiate this from previous seasons. The characters we love are older and more experienced, and so removed from the events of the first three seasons that revisiting them uncovers a whole host of unresolved conflicts and character storylines that are ridiculously entertaining to watch unfold. The interactions between the main characters are so engaging and wholesome, off-kilter humor and all, and Season 4 continues that tradition in stride. It might be a “where are they now?”-style epilogue stretched into a whole season, but it makes full use fo the time jump, giving us some great new opportunities for characterization and emotional moments that top anything we’ve seen so far in the series. Some of it boils down to unnecessary forced conflict, and Jamal continues his tradition of being a selfish jerk (in his quirky way), but the themes of friendship are so carefully imbued with bracing humor and thrilling, grounded action that there’s no way you can’t love this show. Season 4 is a strong conclusion to an already successful series, and I can’t think of a better sendoff. [Grade: A+]

What If...? 
Season One (2021)
Viewed from: August 11-October 6

Jeffrey Wright stars as the Watcher, the MCU’s observer of the multiverse and cosmic Nick Fury, in the first animated outing from Marvel Studios. Each episode is a brand-new story, a hypothetical spin on the outcome of a Marvel film, and while it takes a little bit of time for the series to find its footing, it gradually settles into a rhythm where the stakes are low but the excitement level is consistently high. The nine episodes of Season One are as action-packed and exciting as you want them to be, and it is a great feeling to have some familiar voices from the Marvel movies we know back as certain characters. Plus, it may technically be an anthology series (and a canon one at that), but by the end of the season, most of the storylines are tied together in a satisfying conclusion that honors the source material while also carving out a new path for these multiversal characters to tread. Not to mention the finale is the last screen appearance by Chadwick Boseman, who is gone but certainly not forgotten. [Grade: A]

The Premise Season One (2021)
Viewed from: September 16-October 7

BJ Novak’s sex-obsessed anthology series from Hulu is a valiant swing from the established comedy writer...but unfortunately, it manages to miss most of the targets it aims for. Each episode has a different story with a different cast, and most involve storylines that are trying their best to be philosophical, but often find themselves bogged down with the amount of ideas explored per episode (yet, somehow, each episode feels constrained and limited in scope). Most episodes tackle serious issues in an admittedly interesting way, though they are very soon muddled with the veiled, pseudo-intellectual immaturity that the show can’t seem to escape -- who knows, though, maybe that’s the brand Novak was going for (the finale, entitled “Butt Plug,” comes to mind). Some highlights: the performances are usually very reliable and strong, including one by the late Ed Asner; some episodes use tension in a unique manner; and it’s quite well-written (props to BJ Novak), but it isn’t enough to make this very brief season of frivolous television worth watching. [Grade: B-]

No Time to Die (2021)
Viewed on: October 8
Rewatched on: October 24

Read my full review here and some other thoughts here.


Ted Lasso Season Two (2021)
Viewed from: July 23-October 8

Ted Lasso is no longer a half-hour comedy. Instead, the Apple TV+ original is venturing into the hour-long dramady category, completing this transition seamlessly without any lost charm. Ted Lasso and its titular feel-good football coach are still giving us emotional thrills, from the highest highs to the lowest lows. Season 2 does delve into the more serious sides of all of our characters, most importantly the subject of mental health and anxiety, and how athletes deal with it in various ways. It may be a coincidence that this season was released shortly after the same topic arose during this year’s Olympics, but that only makes it so that Ted Lasso is still a (more upbeat) reflection of the world and culture around us, or at least a reflection of how it should be. Pair that was an absolutely incredible ending, and you can consider me satiated until the arrival of Season 3. [Grade: A+]

Liquid Sky (1982)
Viewed on: October 8

Perhaps the most psychedelic films I have ever seen, Liquid Sky is very much a product of its time, the very picture of the drug-fueled underground 80s club culture. Anne Carlisle plays two roles: Margaret, a woman who abandoned her promising future in favor of the aforementioned party-focused life, and Jimmy, a fellow cocaine-addicted model and Margaret’s rival. Carlisle is so remarkable in both of these roles that it was genuinely difficult to tell she played Jimmy at first. You may also be surprised to learn that Liquid Sky is a science-fiction film of sorts; amorphous aliens land on a rooftop above Margaret and her drug-dealer girlfriend Adrian’s apartment, and begin to feed off of endorphins from Margaret’s sexual encounters. Liquid Sky is certainly one of the most bizarre films I’ve ever seen, and is heavily stylized to the point of self-parody. The actors play it up, knowing exactly what kind of movie they’re in, and that makes it a highly entertaining viewing experience, coupled with the decadent perversion presented by the film that makes you constantly question if you should even be watching it in the first place. [Grade: A-]

2001: A Space Odyssey
 (1968)
Viewed on: October 8 and 10

Having watched 2001 for the first time, I can now confidently say I can see what all the fuss is about. Stanley Kubrick’s masterpiece showcases cutting-edge visual effects, revolutionary science fiction ideas, and brilliant uses of classical music, to name a few iconic elements. Its slow burn storytelling focuses less on character and instead builds tension in unexpected ways, influencing sci-fi and fantasy for decades to come. And, while 2001 is light on story, its scope more than makes up for it, imagining a future that, admittedly, is dreaming too big too soon...but it’s better than dreaming too small. [Grade: A]

When Harry Met Sally... (1989)
Viewed on: October 11

You’d be hard-pressed to find a more well-structured romantic comedy that truly understands the rules of the genre, while also being original and expressive with its execution. Meg Ryan and Billy Crystal are perfect together, and the film is best when they embrace the kookiness and lovable madness that is the long game of love. I’m glad I finally watched this absolute classic. [Grade: A+]

Halloween Kills (2021)
Viewed on: October 14
Rewatched on: October 18

Read my full review here and some other thoughts here.

The Twilight Saga: Breaking Dawn Part 2 (2012)
Viewed on: October 15

If there was a solid way to end a mediocre, lightweight film franchise, this is it. Featuring some of the series’ best moments and characters, Breaking Dawn Part 2 is not a great movie, but it does conclude the Twilight saga in an unapologetically satisfying and interesting way. It certainly doesn’t make me want to see more, but I’m glad I watched them, if only for the experience. At least they went out on a high note. [Grade: B-]


Just Beyond Season One (2021)
Viewed from: October 13-17

This family-friendly anthology horror series from Disney+ kind of came out of nowhere, but it was definitely a fun watch. Throughout each of its eight episodes, we get the intentionally unshakable feeling that something is not right, relatively tame jump scares, and some basic Disney Channel-esque, kid-friendly horror. The episodes are pretty short, but they’re fun, based on a series of comic stories from Goosebumps creator R.L. Stine. The intro sequence, in fact, is very reminiscent of the Goosebumps series, though that one took far more risks than Just Beyond does. It’s low-budget and campy, but it’s exactly what I expected; and it has a message, a through-line theme of not being ashamed of who you are, and taking control of the freedom to express yourself. If this is a success, it looks like harmless horror fun is here to stay on Disney+, and I’m on board with it. [Grade: A-]

The Last Duel (2021)
Viewed on: October 17

Matt Damon has had quite a career...and so has Adam Driver, especially in recent years. So when you see both of them playing squires in medieval France, with Damon being constantly upstaged by Driver, a new arrival on the scene, you can’t help but draw comparisons to their real-life careers. Of course, I highly doubt that Damon and Driver have a real-life rivalry akin to their fictional counterparts, but you never know. The Last Duel tells the story of the last royally-sanctioned duel to the death in medieval France, and it features stunning lead performances from Damon, Driver and Jodie Comer, who is the central figure in the reasons for the duel. Directed by Ridley Scott (still going strong!) from a script by Damon, Ben Affleck (who also stars) and Nicole Holofcener, The Last Duel features a unique storytelling device and boasts strong production design, fight scenes (however brief) and a prevalent message that was as relevant 600 years ago as it is today, as unfortunate as it is. It’s one of Scott’s best recent films, truly one for the history books. [Grade: A+]

TO BE CONTINUED!

September 28, 2021

Review: “Visions” Offers Unique Interpretations of the “Star Wars” Universe

As any timeless franchise should, Star Wars continues to grow and evolve in the era of streaming, and suddenly we have instant access to more content than we’ve ever had before, including every movie, every series, every LEGO special and many more. Disney+ has begun to expand its Star Wars roster, and this endeavor includes a series that received only limited promotion — Star Wars: Visions.


Seven Japanese anime studios were given an allocated amount of time to tell a story set in the Star Wars universe, and the results range from remarkably entertaining to passably interesting. I should preface this by saying that I am not necessarily a fan of anime, but these shorts are, for the most part, accessible to those unfamiliar with the genre. Their involvement in the overall Star Wars universe varies as well, with some telling minimalist stories with one or two characters, and some introducing revolutionary ideas that could make their way into future stories.

August 29, 2021

Review: Mando and his Fan-Favorite Ward Return in “The Mandalorian” Season Two Premiere

Note: This review was originally published in The Cape Cod Chronicle in October 2020.

Even if you’ve never seen The Mandalorian, you’re undoubtedly familiar with its most iconic character: Baby Yoda, known in-franchise as ‘The Child,’ swept the nation with his cuteness and proved how unprepared Disney was with merchandising for the show. Star Pedro Pascal even described the Child as an “incredible scene partner,” showing he’s just as beloved on set as he is in our hearts.

Unfortunately, if you’re watching The Mandalorian solely for your Baby Yoda fix, you might have to wait a little while. The record-breaking series is back with a new season that will continue through to the end of the year. The titular Mandalorian (played by Pascal) returns, this time with a new mission that relegates Baby Yoda to a mere McGuffin, a plot device to drive the story forward. That’s definitely not a bad thing, though; it means we get more of Pascal and his ever-growing comfort in the role fo the Mandalorian.


July 13, 2021

The 2021 Emmy Nominations Celebrate what the Oscars Ignore

For decades, the Academy Awards have been largely about recognizing lesser-known films and performances. Be honest — how many average viewers saw Minari, The Father or Sound of Metal, in comparison with the 2020 nominations (Jojo Rabbit, Joker, Once Upon a Time in Hollywood etc). To be fair, there weren’t many high-awareness movies released in 2020, but it’s always felt to me like the Golden Globes and Emmys have been better about appealing to the masses, as opposed to solely the cinephiles.

This year especially, the Emmys have seen fit to recognize two big blockbuster franchises that the Oscars have largely ignored for years: Marvel and Star Wars. Sure, Black Panther got nominated for Best Picture in 2019, and John Williams was nominated for six of the nine Star Wars films he worked on, but they’ve always been an underrepresented part of awards — not to mention some of the most successful franchises the entertainment world has ever seen.

In the 73rd Emmys (which take place September 19), The Mandalorian and The Crown have received the most nominations, each with 24. The expected hits are nominated for Best Drama Series, including The Crown, The Handmaid’s Tale and This Is Us, but Amazon Prime’s The Boys has been unexpectedly thrown in there — another win for fans of the superhero genre (even though its chances of actually winning the award are slim to none, it’s great that it’s at least recognized for being a top-tier show).

May 14, 2020

“Star Wars: The Clone Wars” Season Seven Review: A Masterful End of an Era

Having not watched any network television until 2015, I was never a regular viewer of the Star Wars animated TV series. The Clone Wars has ended, Rebels never caught my full attention, and I never bothered to dedicate time to Resistance. But when Clone Wars was acquired by Netflix, I knew this was my chance to explore that area of the Star Wars universe.

I never had enough time to watch the full series, but I saw most of the episodes that mattered to the core story. That’s why, in 2018, when a full seventh season was set to premiere on the then-untitled Disney streaming service, I was filled with a rush of excitement. The only issue is, we had to wait until 2020 to finally see the concluding episodes.

And boy, was it worth the wait.

May 4, 2020

“Star Wars: The Rise of Skywalker” Review: An Exciting, Yet Nonsensical, Saga Conclusion

When the first reviews for Star Wars: The Rise of Skywalker arrived, I was confused, but unsurprised, to find that they were largely negative. Allow me to explain.

The previous film in the franchise, The Last Jedi, was received very well by critics but utterly panned by the average audience. The Rise of Skywalker is the opposite — so far largely beloved by audiences, but disliked by critics. That’s where the confusion came from.